Wednesday, 5 October 2011

Blood Guilt's First Review

Blood Guilt has recieved a great review from book blogger Sonia Porter on her blog Just a normal girl in London. Here's a taste of what she had to say, 'It wasn't the most beautifully written, literary book I have read...but this was a great page-turner with a unique premise and I zoomed through it in a couple of days as I really wanted to know what happened!' For me, Sonia hits the nail bang on its head. In writing Blood Guilt it was never my intention to reinvent the literary wheel. I simply wanted to write a story that would grip readers from start to finish. It's a huge thrill to know that someone as well-read as Sonia thinks I've achieved that goal.

You can read the review in full at:

Wednesday, 28 September 2011

Kick-Ass New Cover For 'Blood Guilt'

Okay, so after some deliberation I decided to shell out on commissioning a professional to design a cover for my crime thriller novel 'Blood Guilt'. Even considering the cost, it was a fairly easy decision. In a masochistic kind of way, I really enjoy spending hour after hour struggling to get to grips with the eccentricities of GIMP et al. And, even if I do say so myself, I think I’ve created some reasonably effective covers. But try as I might, I just can’t achieve the slick look that exemplifies traditionally published novels. You know the kind of look I mean. It has depth and texture. It instantly resonates with its genre. And above all, it doesn’t have the slightest whiff of a DIY job.

I’ve always admired the artwork of Stephen Leather’s books. A single glance at the simple, yet deceptively complex cover of ‘The Basement’ tells you everything you need to know about what lurks within. So I contacted his designer, Stuart Bache (you can check out more examples of his artwork at: The guy doesn’t come cheap, and maybe I’ll never recoup the outlay. But at the moment that doesn’t concern me. What concerns me is giving myself the best chance of getting my work to the widest audience possible. And giving that audience the best product I can. I want my readers to know how much I value the money and time I’m asking them to invest in my novel. Blood Guilt’s new cover is a statement of that intent. I hope you love it as much as I do.

Saturday, 3 September 2011

Would You Do A 'Dirty Harry' To Protect A Child From Society's Monsters?

It’s a dangerous question, a question that’s occupied my mind a good deal over the past two years. Why would I dwell on such a dark line of thought for so long? Well, there are a couple of reasons. Firstly, and most importantly, on July 15th 2009, my beautiful baby boy, Alex, was born. In an instant, my world changed. As I cradled him in my arms in the delivery-room, a voice in my mind asked: how could anyone ever hurt something so small, so utterly defenceless?

It was a question I didn’t want to think about. So I shoved the voice away. But over the following weeks and months it kept coming back. There seemed to be more stories than ever in the news about missing children, predatory paedophiles, internet grooming and the like. Or maybe I was just noticing them more now. They certainly had a greater impact on me. I’m not saying I wasn’t affected by such stories before Alex came into my life – I was, just not in the same way. Because now I could imagine how I’d feel if someone hurt my child. If you’re a parent, you’ll know exactly what I mean. If not, think about something in your life that inspires more fear and anger than anything else, then multiply it by infinity, and you’ll have some idea what I’m talking about.

These feelings brought another question to my mind: would I kill to protect my child? The answer to that has to be yes. If there was absolutely no other choice, I would kill to protect my child. But just because I say I would doesn’t mean I could. There’s a whole world of difference between those words. Violence is a line society conditions us not to cross. Movies bombard us with characters who wouldn’t hesitate a heartbeat to cross that line for their, or anyone else’s, child – Harry Callahan instantly springs to mind. Of course, Dirty Harry is as different from reality as would is from could. But the film presents us with a hard truth – that the law isn’t always able to do justice. Sometimes the monsters who would hurt our children slip through its loopholes.

Which brings me back to my original question. If you were all that stood between one of those monsters hurting, maybe even killing a child – any child – what would you do? Would you cross the line? Would you go outside the law in order to protect that child? Would you kill? Could you? And if you did, what would that make you? A hero? Or a menace to society? Is Harry Callahan a redeemer or monster in his own right? It’s a question he never asks himself. He enforces his own brand of brutal justice with his 44 Magnum, and doesn’t agonise over what that makes him.

But then Harry’s a simple man from a simpler time. Today’s internet-connected world is more complex. And real people are infinitely more complex. Those are the kind of people I write novels about. People who question and agonise. People full of doubts and fears. People who even if they would cross that line, don’t know if they could or should. I’m one of those people. And I’m guessing you are too. If you are – and if, god forbid, you were pushed to that line, you’d do well to bear in mind the words of the philosopher Nietzsche: ‘Be careful when you fight monsters, lest you become one.’

Wednesday, 31 August 2011

Blood Guilt mentioned on Bill Crider's Pop Culture Magazine blog

Bill Crider author of the Sheriff Dan Rhodes Mysteries runs an occasional PimPage feature on his Pop Culture Magazine Blog in which he '...calls interesting books to your attention'. Today my gritty, fast-paced crime thriller novel Blood Guilt got a mention. Thanks Bill! If you're a crime fiction fan, Bill's blog is well worth a visit.

Saturday, 27 August 2011

The Basement Always Means Doom!

I know it's not crime fiction, but like it says above, this blog's basically about anything that takes my fancy - and Zee Bee & Bee by David James Keaton did just that (I've got a real soft spot for zombies).
This novella is a witty, surreal, outrageously original take on the zombie genre. The story sees guests pay to take part in a Night of the Living Dead style apocalyptic scenario. Actors playing zombies stage an assault on an isolated farmhouse where the guests are holed up. But as the night progresses both actors and guests start becoming dangerously committed to their roles. The plot, then, is a little thin. But the plot is never really the point in Keaton's book - the point is the characters and the razor-sharp dialogue. Not a trait you'd usually associate with genre fiction, but then this isn't your typical zombie story. Zee Bee & Bee sets out to deconstruct the genre in much the same way as Scream. Its characters churn out an endless stream of movie trivia, referencing a lot of films I've seen and even some I haven't (and believe me I've seen way too many films). Far from being a sneering parody of the genre, though, it's more a kind of extended love letter from a horror film fanatic to every zombie flick ever made, particularly Romero's 'Holy Trinity'. The comparisons to Scream are obvious, but the film the first two-thirds of the novella really made me think of was Clerks. The employees at Zee Bee & Bee are a bunch of zombie film nerds who spend more time hanging out and shooting the shit than actually working. So much so, in fact, that I was beginning to get hungry for some flesh-chomping action. Then the last third of the novella kicks in and delivers a gory climax - quite literally in the case of one stomach-churning scene that I'm sure will stay with me for some time. All in all, I'd highly recommend this to horror buffs. But if you don't know the tropes of the genre, you might not get the joke.

Thursday, 25 August 2011

My First Kindle Read: 'Killing Mum' by Alan Guthrie

Not sure where to start, so I'm going to dive straight in with a brief review of my first kindle read. I wanted something short to ease my eyes and brain into reading ebooks. At just 95 pages and £0.86 Killing Mum by Alan Guthrie seemed like the perfect fit.

Killing Mum

Set in Edinburgh this novella is short on length, but big on hits - quite literally. The story zips along like all good fiction should do, propelled by dialogue which is generally sharp and frequently witty. From the opening page, the reader is thrown right into the murky, slightly surreal world of Carlos, a burnt-out hitman who's in for one hell of a long night. I don't want to say too much for fear of spoiling the plot, but there are a couple of memorably brutal scenes, and the ending even managed to raise a spark of sympathy for Carlos - no mean feat considering what preceeded it. The characters are vividly drawn, although, other than Carlos, perhaps a little lacking in emotional depth. But then this story is all about the plot, and that builds to a satisfyingly bloody, blackly comic, almost Hitchcockian (think Norman Bates) climax. All in all then, definitely worth a look if you fancy a quick hit of action-packed Tartan Noir.